In just 2 and a half hours, I shall be starting on another read-a-thon! Woo! Last time I was all organised and knew which books I was going to read and everything, but I haven't quite got that far yet...I still have time! It'll totally be fine! And while I thought I was going to be free for the entire 24 hours, that may not be the case any longer, so we'll see how much reading I can get done around potential other plans.
Good luck to anyone else joining in this time! :)
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So, with just a few minutes to go, I'm getting ready! I have two books lined up, and I'll see how I get on with them.
1. A Dance with Dragons 1: Dreams and Dust by George R. R. Martin (A Song of Ice and Fire #5.1)
2. Different Season by Stephen King - 4 short stories which I figure will break up GRRM nicely.
So, off we jolly well go!
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A little over two hours in, and I'm 109 pages into DwD...only 516 to go! I'm enjoying it so far. It's got all the good characters back who were missed out of A Feast for Crows, though it is a little confusing to remember that this runs in parallel with that and we've actually gone back to follow them. Still, a good read so far!
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Short food break coming up now! I've made a bit more progress with DwD and I'm up to 154 pages. There are quite a few new people being introduced and the locations are jumping around all over the spot so it can be a little confusing at times, but still enjoying it. None of the story lines have particularly grabbed me this time round as of yet, but the end of the Daenerys' last chapter has got me intrigued a little.
Taking a break from DwD, I've also started Different Season. The first story is Rita Hayworth and Shawshank Redemption, the inspiration behind the film (which is amazing!) and which seems to be a pretty fair adaptation. They've simplified it some - as far as I remember - and the book seems slightly more disjointed than the film was, but enjoying seeing the story as it was originally written. 82 pages down, 51 of Shawshank to go.
And thanks for the cheerleading! Appreciate it very much :)
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Done with Shawshank, which was good, but I think the ending to the film was better. It was more interesting, and all the wrapping-up stuff didn't seem to take half as long. Back to DwD for a bit now, but evening plans have presented themselves, so I'm off out soon! Shall be resuming reading upon my return hopefully.
Happy reading everyone else!
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So, this read-a-thon has been a bit of a fail...hopefully next time I'll have a clear day! In the meantime, I have two books to finish...
I am a self-confessed bookaholic, and this is going to be where I review some of the books I'm reading. Old books and new; fantasy, fiction or whatever else takes my fancy.
Saturday, 13 October 2012
Friday, 12 October 2012
Lockdown
Title: Lockdown
Series: Escape from Furnace #1
Author: Alexander Gordon Smith
Pages: 273 (paperback)
Published: August 3rd 2010
Published by: Square Fish
Alex is a school bully turned petty thief. He and his friend Toby break into people's houses and steal cash and electronics, namely for the kick it seems. Until one night it all goes wrong, and Alex is framed for murder. He soon finds himself on the way to Furnace Prison for young offenders. A prison staffed by incredibly strong men; men with gasmasks attached to their faces (something like this being the image I had in my head for this); and all run by a man with weird eyes. Escape is impossible.
Series: Escape from Furnace #1
Author: Alexander Gordon Smith
Pages: 273 (paperback)
Published: August 3rd 2010
Published by: Square Fish
Furnace Penitentiary: the world’s most secure prison for young offenders, buried a mile beneath the earth’s surface. Convicted of a murder he didn’t commit, sentenced to life without parole, “new fish” Alex Sawyer knows he has two choices: find a way out, or resign himself to a death behind bars, in the darkness at the bottom of the world. Except in Furnace, death is the least of his worries. Soon Alex discovers that the prison is a place of pure evil, where inhuman creatures in gas masks stalk the corridors at night, where giants in black suits drag screaming inmates into the shadows, where deformed beasts can be heard howling from the blood-drenched tunnels below. And behind everything is the mysterious, all-powerful warden, a man as cruel and dangerous as the devil himself, whose unthinkable acts have consequences that stretch far beyond the walls of the prison.
Together with a bunch of inmates—some innocent kids who have been framed, others cold-blooded killers—Alex plans an escape. But as he starts to uncover the truth about Furnace’s deeper, darker purpose, Alex’s actions grow ever more dangerous, and he must risk everything to expose this nightmare that’s hidden from the eyes of the world.
Alex is a school bully turned petty thief. He and his friend Toby break into people's houses and steal cash and electronics, namely for the kick it seems. Until one night it all goes wrong, and Alex is framed for murder. He soon finds himself on the way to Furnace Prison for young offenders. A prison staffed by incredibly strong men; men with gasmasks attached to their faces (something like this being the image I had in my head for this); and all run by a man with weird eyes. Escape is impossible.
I quite enjoyed this; it wasn't a particularly difficult read, though not as creepy as I was expecting based on the blurb, and the descriptions of the emotions of the main character - Alex - were generally done very well. My one complaint in this area was that Alex seemed to adjust to prison life a little too easily. He gets into the swing of everything very well, and in places it felt like he was acting like he'd been there a lot longer than he had. Other descriptions weren't so good, unfortunately, and they often felt caricature-ish. Over-exaggerated architecture and characters were unbelievable, with the Judge who sentences Alex and the description of the outside of the prison particularly standing out in my mind in this respect.
I'm quite intrigued as to what has happened for the world depicted here to end up the way it has. We're told that after a riot by teenagers where hundreds of people were killed they introduced a zero-tolerance policy on young offenders, but this seems very extreme for the circumstance and I get the feeling that something more is going on. In general the story goes nicely with good pacing, though a few plot holes. He also has a tendency to forewarn when something is coming rather than it just happening. Like, "It was the worst thing I'd ever seen, up until four days later at least." Then just carries on the with the story. These little asides seemed a little pointless to me, and means you know Alex survives because he's obviously narrating from the future so there's less tension.
The escape plan which Alex comes up with is quite ingenious, though I have to question it's feasibly quite heavily. Minor spoiler: I've never tried knotting rubber gloves, but I can't imagine it's easy, or air-tight. And of course the other kids knew you were up to something - you think they didn't notice you 'sneaking' around all the time?!
I'll probably keep an eye out for the next book being on sale or something. It ended on a cliffhanger so I'm intrigued to see what happens next but not overly or anything.
Oh, and a minor point which bothers me a bit: the main character is called Alex. As is the author. I don't know why this feels slightly wrong to me.
I'm quite intrigued as to what has happened for the world depicted here to end up the way it has. We're told that after a riot by teenagers where hundreds of people were killed they introduced a zero-tolerance policy on young offenders, but this seems very extreme for the circumstance and I get the feeling that something more is going on. In general the story goes nicely with good pacing, though a few plot holes. He also has a tendency to forewarn when something is coming rather than it just happening. Like, "It was the worst thing I'd ever seen, up until four days later at least." Then just carries on the with the story. These little asides seemed a little pointless to me, and means you know Alex survives because he's obviously narrating from the future so there's less tension.
The escape plan which Alex comes up with is quite ingenious, though I have to question it's feasibly quite heavily. Minor spoiler: I've never tried knotting rubber gloves, but I can't imagine it's easy, or air-tight. And of course the other kids knew you were up to something - you think they didn't notice you 'sneaking' around all the time?!
I'll probably keep an eye out for the next book being on sale or something. It ended on a cliffhanger so I'm intrigued to see what happens next but not overly or anything.
Oh, and a minor point which bothers me a bit: the main character is called Alex. As is the author. I don't know why this feels slightly wrong to me.
Friday, 5 October 2012
The Night Circus
Title: The Night Circus
Author: Erin Morgenstern
Pages: 490
Published: May 24th 2012
Published by: Vintage Books
Prospero the Enchanter is left with a package. His five-year-old daughter whose mother has just committed suicide, and whom he didn't know existed until that moment. When he learns that she has inherited his talent for 'forcibly manipulating the universe', he gets in touch with a man and suggests they have another competition. The man adopts - somewhat - the orphan Marco, and begins training him with by own methods. The venue for this competition? The Night Circus. This leads to an awe-inspiring circus full of wonders beyond the imagination, and an impact on the lives of countless thousands of people.
I love this book. You know those books that you start reading and just know that you're going to love within a matter of pages? It was one of those for me. The writing and imagery was absolutely beautiful, and the sheer inventiveness of some of the attractions at the circus was wonderful. The magic was understated, and something which you could almost believe could actually exist. It doesn't make the user all powerful and has its limits.
Snippets of the circus seen through the eyes of a visitor are interspersed through the story, and it is this which opens the story. We get to see something of it before understanding what it really is, what it is being used for. And it's enchanting; my biggest disappointment about this book is that I can't actually go and see all the things that are described.
The central characters are Celia Bowen and Marco Alisdair, both raised with magic according to the way their mentor believes best teaches it. One almost purely through physical practice; the other grounded in theory, words, symbols. Opposites, yet set to compete against each other in a contest of endurance.
Of course, this does mean that this is their whole lives. At least that we see. Never seeing any other aspect of either of them, they do feel a little one-dimensional. But then, Celia lives in the circus and Marco helps run it. It could be that there isn't anything else to them really, as closely twined they are with it and given how they've been raised. Even with this possible caveat, it still would have been nice to see a little more depth. And the same holds true for many of the other central characters: you feel that the circus is all there is too them, and there are never really any hints at anything more. Some of the more peripheral characters - the ones not so directly involved with it - escape this which was nice.
You know from the start where the relationship between Celia and Marco is going, but it isn't thrust in your face. It's barely present for most of the book, and when it is it's rather understated. Between the physical distance between them and the constraints of the competition, they don't spend a lot of time actually together, and we don't see all that they do but I liked it. In some ways, they don't fall in love with one another, but with the things they make for the competition. I read another review which said they didn't believe in their love story because there was nothing to it - they felt that they'd fallen in love just because, and to make the story work, but I can't disagree with this more. They get to know each other through an abstract medium, and this is the basis of their relationship rather than anything physical. On top of this they are magically bound together, and I think this may have something to do with it. There are hints that this isn't the first time emotions have come in the way of a competition, so it wouldn't surprise me.
The story flows along nicely, if a little slowly at times. Only in that there are periods where nothing of vast import happens, so there is nothing to tell. The chapter titles are all underscored with a date so you know how long has passed, but since I, in general, tend not to pay too much attention to chapter headings I think I'm probably a little ignorant as to how long had passed, not helping when it came to the second story line included which was set out of sync with that of Celia and Marco's. The competition they find themselves thrust into was a little slow-paced, and there wasn't ever a sense of urgency until the end, and even then only briefly.
But then this isn't the kind of book that grabs you and drags you along with it. It more takes you by the hand and invites you to explore.
Kind of like Le Cirque des Reves itself, I suppose.
Plus it contained the word 'discombobulated'. Extra marks for awesomeness!
Author: Erin Morgenstern
Pages: 490
Published: May 24th 2012
Published by: Vintage Books
In this mesmerizing debut, a competition between two magicians becomes a star-crossed love story.
The circus arrives at night, without warning. No announcements precede it. It is simply there, when yesterday it was not. Within nocturnal black and white striped tents awaits a unique experience, a feast for the senses, where one can get lost in a maze of clouds, meander through a lush garden made of ice, stand awestruck as a tattooed contortionist folds herself into a small glass box, and gaze in wonderment at an illusionist performing impossible feats of magic.
Welcome to Le Cirque des Reves. Beyond the smoke and mirrors, however, a fierce competition is underway - a contest between two young magicians, Celia and Marco, who have been trained since childhood to compete in "a game," in which each must use their powers of illusion to best the other. Unbeknownst to them, this game is a duel to the death, and the circus is but the stage for a remarkable battle of imagination and will.
Prospero the Enchanter is left with a package. His five-year-old daughter whose mother has just committed suicide, and whom he didn't know existed until that moment. When he learns that she has inherited his talent for 'forcibly manipulating the universe', he gets in touch with a man and suggests they have another competition. The man adopts - somewhat - the orphan Marco, and begins training him with by own methods. The venue for this competition? The Night Circus. This leads to an awe-inspiring circus full of wonders beyond the imagination, and an impact on the lives of countless thousands of people.
I love this book. You know those books that you start reading and just know that you're going to love within a matter of pages? It was one of those for me. The writing and imagery was absolutely beautiful, and the sheer inventiveness of some of the attractions at the circus was wonderful. The magic was understated, and something which you could almost believe could actually exist. It doesn't make the user all powerful and has its limits.
Snippets of the circus seen through the eyes of a visitor are interspersed through the story, and it is this which opens the story. We get to see something of it before understanding what it really is, what it is being used for. And it's enchanting; my biggest disappointment about this book is that I can't actually go and see all the things that are described.
The central characters are Celia Bowen and Marco Alisdair, both raised with magic according to the way their mentor believes best teaches it. One almost purely through physical practice; the other grounded in theory, words, symbols. Opposites, yet set to compete against each other in a contest of endurance.
Of course, this does mean that this is their whole lives. At least that we see. Never seeing any other aspect of either of them, they do feel a little one-dimensional. But then, Celia lives in the circus and Marco helps run it. It could be that there isn't anything else to them really, as closely twined they are with it and given how they've been raised. Even with this possible caveat, it still would have been nice to see a little more depth. And the same holds true for many of the other central characters: you feel that the circus is all there is too them, and there are never really any hints at anything more. Some of the more peripheral characters - the ones not so directly involved with it - escape this which was nice.
You know from the start where the relationship between Celia and Marco is going, but it isn't thrust in your face. It's barely present for most of the book, and when it is it's rather understated. Between the physical distance between them and the constraints of the competition, they don't spend a lot of time actually together, and we don't see all that they do but I liked it. In some ways, they don't fall in love with one another, but with the things they make for the competition. I read another review which said they didn't believe in their love story because there was nothing to it - they felt that they'd fallen in love just because, and to make the story work, but I can't disagree with this more. They get to know each other through an abstract medium, and this is the basis of their relationship rather than anything physical. On top of this they are magically bound together, and I think this may have something to do with it. There are hints that this isn't the first time emotions have come in the way of a competition, so it wouldn't surprise me.
The story flows along nicely, if a little slowly at times. Only in that there are periods where nothing of vast import happens, so there is nothing to tell. The chapter titles are all underscored with a date so you know how long has passed, but since I, in general, tend not to pay too much attention to chapter headings I think I'm probably a little ignorant as to how long had passed, not helping when it came to the second story line included which was set out of sync with that of Celia and Marco's. The competition they find themselves thrust into was a little slow-paced, and there wasn't ever a sense of urgency until the end, and even then only briefly.
But then this isn't the kind of book that grabs you and drags you along with it. It more takes you by the hand and invites you to explore.
Kind of like Le Cirque des Reves itself, I suppose.
Plus it contained the word 'discombobulated'. Extra marks for awesomeness!
Friday, 28 September 2012
Prophecy of the Flame
Title: Prophecy of the Flame
Series: Prophecy of the Flame #1
Author: Lynn Hardy
Pages: 373 (ebook)
Published: November 20th 2011
Published by: Resilient Publishing
Five strangers are live-action role-playing when they are yanked from Earth to an alternate dimension to help fight a hoard of demons. In the process they are transformed into the characters they were pretending to be, both physically and in terms of ability.An interesting concept poorly written basically sums up my opinion of this book. The blurb intrigued me but the story and the writing let it down for me.
Now, I don't really know anything about live-action role playing, so I can't really comment on the start of the book as I have no real reference point as to how it all works and if it all works out slightly conveniently, well it's a book and stuff like that happens. It was upon their transportation to another world that I began to have problems.
There was no 'argh, we've been transported to another dimension!', 'argh, it's completely changed the way we look!', 'argh, we suddenly have all these abilities we were only pretending to have!', 'argh, what the hell is going on!' freaking out at all. They all very calmly accepted what was going on. As I mentioned, they were changed physically to represent their characters, some growing or shrinking by several inches, if not feet. First issue: they would not physically be able to make their bodies work in these conditions. Their brain is used to working with certain expectations of their bodies and they would all be falling over all over the spot if this had actually happened and would have trouble walking never mind being able to practice fighting within a matter of hours. But you know, suspension of disbelief...I'll go with it as a first problem - and one quite often overlooked in fiction when people switch bodies or what-have-you.
That they've all suddenly acquired various magic/fighting skills is far too convenient. There is no learning curve (necessary to the story as there isn't enough time to have them learn but poorly explained away) and they're all instantly ridiculously proficient and have full control of their abilities. Archmage Reba - the POV character - is the most powerful mage ever apparently, and there is no problem she can't fix instantly and with apparently very little effort. There is no getting to grips with her abilities, no mistakes, and only one instance of her trying something that doesn't work straight off. Seriously?!
I think it was this that bothered me the most. She can create anything from anything with a few rhymes. At first there is at least the limitation of it bringing on migraines but then boom, perpetual healing spell cast and there's no problem. Public speaking a problem? Another spell - she's the best orator in the world! She's forgetting stuff? Perfect memory! She's fighting? Super strength! Walking just too darned slow? Flying! Oh, and while she's at it why not give herself better boobs and eternal youth! I get this was Hardy trying to make it so we can identify with her ("Yeah, she's super-powerful but she still worries about normal stuff!") but it just felt ridiculous.
And because of there being no problem she can't solve, the story just felt superfluous. Why spend all this time preparing for a big battle when she could just wander off and blast them? For me it never really felt like anyone was in any real danger so there was no tension. It basically felt like there were a series of problems thrown up simply for Reba to solve.
A spell (shockingly!) means they instantly understand the language, and apparently know the names of things that have no equivalent in English, though only sporadically. Name of the castle? Fine. Name of the stone the castle's built of? Nope, got to ask what that is. Names of the demons (which no one had seen a day earlier, yet all of which now have names which everyone knows) - fine.
Reba is given a maid. But she's more than just a maid! She's basically also a prostitute for Reba's pleasure. Why on earth they'd assume she was a lesbian/bi is never explained, and it certainly doesn't seem to be the norm. Then the maid gets all offended when Reba turns her down! I didn't see the point of this at all.
One positive was the emotional trouble Reba is in. Married back in our world, she is confronted by a very handsome and quite lovely Prince in the new one, and I think Hardy did a good job as she fights to resist his advances, making her position quite clear but wondering what is happening back home. How long she's been gone, what her husband is doing, and what will happen if she can never find a way back.
This aside, there are a few problems with the writing itself. Weird metaphors ("she shook off the unwanted feeling like a coyote shaking off morning dew" - what the...?) and weird turns of phrase (people don't move things - they manipulate them; a simple response is said 'by rote'; 'so-and-so meet so-and-so' is the formal introduction performed by the king) both made this very difficult for me to read. I'd keep stopping to wonder at her weird choice of words. It feels at times like she's used a thesaurus and randomly picked a word without checking that it actually works in the context. (Bringing to mind the episode of Friends where Joey 'Baby Kangaroo' Tribbiani does the same thing.) And in several lists commas were replaced with semi-colons which was mildly annoying more than anything else.
And there was a picture of a horse at the end of every chapter. I have no idea why. Horses were barely mentioned. This confused me quite a lot.
Definitely not a series I'll be continuing with. Or a book I'll ever read again. Or a book I'll be recommending to anyone. Ever.
Series: Prophecy of the Flame #1
Author: Lynn Hardy
Pages: 373 (ebook)
Published: November 20th 2011
Published by: Resilient Publishing
In a blinding flash of light, five strangers are yanked from this world and thrust into a land of sorcery as they are granted the looks and abilities of the people they were playing. This band of wannabe heroes soon discovers that having the powers they have always dreamed of, does not make life a dream come true. The Crusaders of the Light struggle to form a cohesive band as they blend twentieth century technology with the supernatural powers of this new world, fighting to liberate the kingdom of Cuthburan from the evil horde threatening humanity. Battle is also waged within Reba, an ordinary housewife who has become the most powerful mage on the planet, as she struggles to remain true to her wedding vows. Drawn against her will to the arms of Prince Alexandros, Reba must choose marriage toa handsome prince in a magical world or returning to the husband she left behind.
Five strangers are live-action role-playing when they are yanked from Earth to an alternate dimension to help fight a hoard of demons. In the process they are transformed into the characters they were pretending to be, both physically and in terms of ability.An interesting concept poorly written basically sums up my opinion of this book. The blurb intrigued me but the story and the writing let it down for me.
Now, I don't really know anything about live-action role playing, so I can't really comment on the start of the book as I have no real reference point as to how it all works and if it all works out slightly conveniently, well it's a book and stuff like that happens. It was upon their transportation to another world that I began to have problems.
There was no 'argh, we've been transported to another dimension!', 'argh, it's completely changed the way we look!', 'argh, we suddenly have all these abilities we were only pretending to have!', 'argh, what the hell is going on!' freaking out at all. They all very calmly accepted what was going on. As I mentioned, they were changed physically to represent their characters, some growing or shrinking by several inches, if not feet. First issue: they would not physically be able to make their bodies work in these conditions. Their brain is used to working with certain expectations of their bodies and they would all be falling over all over the spot if this had actually happened and would have trouble walking never mind being able to practice fighting within a matter of hours. But you know, suspension of disbelief...I'll go with it as a first problem - and one quite often overlooked in fiction when people switch bodies or what-have-you.
That they've all suddenly acquired various magic/fighting skills is far too convenient. There is no learning curve (necessary to the story as there isn't enough time to have them learn but poorly explained away) and they're all instantly ridiculously proficient and have full control of their abilities. Archmage Reba - the POV character - is the most powerful mage ever apparently, and there is no problem she can't fix instantly and with apparently very little effort. There is no getting to grips with her abilities, no mistakes, and only one instance of her trying something that doesn't work straight off. Seriously?!
I think it was this that bothered me the most. She can create anything from anything with a few rhymes. At first there is at least the limitation of it bringing on migraines but then boom, perpetual healing spell cast and there's no problem. Public speaking a problem? Another spell - she's the best orator in the world! She's forgetting stuff? Perfect memory! She's fighting? Super strength! Walking just too darned slow? Flying! Oh, and while she's at it why not give herself better boobs and eternal youth! I get this was Hardy trying to make it so we can identify with her ("Yeah, she's super-powerful but she still worries about normal stuff!") but it just felt ridiculous.
And because of there being no problem she can't solve, the story just felt superfluous. Why spend all this time preparing for a big battle when she could just wander off and blast them? For me it never really felt like anyone was in any real danger so there was no tension. It basically felt like there were a series of problems thrown up simply for Reba to solve.
A spell (shockingly!) means they instantly understand the language, and apparently know the names of things that have no equivalent in English, though only sporadically. Name of the castle? Fine. Name of the stone the castle's built of? Nope, got to ask what that is. Names of the demons (which no one had seen a day earlier, yet all of which now have names which everyone knows) - fine.
Reba is given a maid. But she's more than just a maid! She's basically also a prostitute for Reba's pleasure. Why on earth they'd assume she was a lesbian/bi is never explained, and it certainly doesn't seem to be the norm. Then the maid gets all offended when Reba turns her down! I didn't see the point of this at all.
One positive was the emotional trouble Reba is in. Married back in our world, she is confronted by a very handsome and quite lovely Prince in the new one, and I think Hardy did a good job as she fights to resist his advances, making her position quite clear but wondering what is happening back home. How long she's been gone, what her husband is doing, and what will happen if she can never find a way back.
This aside, there are a few problems with the writing itself. Weird metaphors ("she shook off the unwanted feeling like a coyote shaking off morning dew" - what the...?) and weird turns of phrase (people don't move things - they manipulate them; a simple response is said 'by rote'; 'so-and-so meet so-and-so' is the formal introduction performed by the king) both made this very difficult for me to read. I'd keep stopping to wonder at her weird choice of words. It feels at times like she's used a thesaurus and randomly picked a word without checking that it actually works in the context. (Bringing to mind the episode of Friends where Joey 'Baby Kangaroo' Tribbiani does the same thing.) And in several lists commas were replaced with semi-colons which was mildly annoying more than anything else.
And there was a picture of a horse at the end of every chapter. I have no idea why. Horses were barely mentioned. This confused me quite a lot.
Definitely not a series I'll be continuing with. Or a book I'll ever read again. Or a book I'll be recommending to anyone. Ever.
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